A disbarred Lawyer, recently released from prison and now involved with organized crime checks into the Snack Bar Budapest where he is instructed to make contact with the up-and-coming local kingpin, a 19-year-old punk-pimp-gangster named Molecola (Italian for “molecule”). Molecola is a Buffalo-trained politician trying to run out the mom-and-pop shops and turn the town into a giant casino-entertainment complex, with the Snack Bar as the centerpiece. Stars Giancarlo Giannini, Philippe Leotard, François Negret & Raffaella Baracchi.

An epic from the dark ages about the legendary lost tribe of warrior women! The girls fly into danger, come up against fierce tribes, fall prey to sorcery, put to rest a family rivalry of centuries past and battle to victory!

A young man (Prince) with a talent for music has begun a career with much promise. He meets an aspiring singer, Apollonia, and finds that talent alone isn't all that he needs. A complicated tale of his repeating his father's self destructive behavior, losing Apollonia to another singer, and his coming to grips with his own connection to other people ensues. Contains footage from his concerts.

Four young women from Europe and Asia, recently arrived in England, begin their new jobs as Au Pairs. They quickly find that the English are not as stuffy and staid as they appear, and the young ladies are soon spending more time in bed than on the job.

Three strippers seeking thrills encounter a young couple in the desert. After dispatching the boyfriend, they take the girl hostage and begin scheming on a crippled old man living with his two sons in the desert, reputedly hiding a tidy sum of cash. They become houseguests of the old man and try and seduce the sons in an attempt to locate the money, not realizing that the old man has a few sinister intentions of his own. A cult classic from Russ Meyer.

Clint Ramsey has to leave his job working at Martin Bormann's gas station and flee after his wife is murdered by psycho cop Harry Sledge, who tries to pin the murder on Clint. Crossing America, Clint gets sexually harassed on all sides by various voluptuous nymphomaniacs, and it all ends in a literally explosive climax.

Vixen lives in a Canadian mountain resort with her naive pilot husband. While he's away flying in tourists, she gets it on with practically everybody including a husband and his wife, and even her biker brother. She is openly racist, and she makes it clear that she won't do the wild thing with her brother's biker friend, who is black.

It's 1933, in the midst of the Depression and Prohibition. Calif, a stranger with a past walks into Spooner, Missouri on his way from Michigan to California. He hires on with Lute Wade to earn some travelling money, but gets entangled in a bad family situation: Lute's daughter is married to Sidney, a good-for-nothing drunk that frequents the rural equivalent of a whorehouse and beats his wife and is just waiting for Lute to kick the bucket to get his money.

Russ Meyer film. After stealing a fortune in unclaimed jewelry, ex-detective Barney Rickert arrives at a run-down dude ranch in Arizona to hide out. When the owner, Dewey Hoople, refuses to sell the land to Rickert, he proceeds to win over the female inhabitants by seducing them one by one which leads to one refusing his advances and a dangerous game played out wich Rickert ruthlessly sets out to get what he wants.

The story involves the goings-on at a topless go-go bar on the Sunset Strip. Meyer himself makes an appearance in this film. Paul, the owner of a strip club bar on the Sunset in Los Angeles, is knocked out at a brothel and taken home. The madam of the brothel sends two thieves to Paul's club to rob the place while he is unconscious. When the star dancer at the bar quits, Paul's wife fills in for her. The bartender then seduces her and takes her to his home, and the thieves begin working on cracking the safe. When Paul comes to and cannot find his wife at home, he goes to the club, where the thieves are engaged in their work.

This is one of Russ Meyer's finer films, a late 60's collage of psychedelia, sex and violence occasionally overdubbed with psuedo-scholarly narration about class struggle. A bizarre and thoroughly entertaining mix. Charles Napier shines, as usual.

Another Russ Meyer Classic. This kicks off with the murder of one Adolf Schwartz (who bears a striking resemblance to another famous Adolf) by placing a ravenous piranha fish in his bathtub. Who did it? No-one knows or cares, as they're too busy being distracted by busty Margo Winchester, who hitch-hikes into town and gets involved with all the local men. It all ends with a series of complicated plot twists that reveal that just about everyone is really someone else. And if it gets too confusing, Russ Meyer helpfully arranges for a one-woman nude Greek chorus to pop up at intervals to explain what's going on.

When three female rock'n'rollers travel to Hollywood to claim an inheritance, they meet up with a kinky music promoter who turns them on to a whole new scene. At first, all seems very exciting and the naïve trio becomes submerged in his dangerous tinseltown underworld-before they discover his true motives. One never tires of watching Russ Meyer's Beyond the Valley of the Dolls, as it encompasses all that was sexy, funny, hip, schlocky, stylish, and horrific about America's most interesting cultural period. BVD can be viewed as a Sixties' artifact, packed with consummate party scenes, as the original skin flick, as a proto-cult classic, or as a benchmark in American cinema.

Like most of cult director Russ Meyer's later films, his final ode to the superhuman bosom largely dispenses with plot in favor of episodic sexual sight-gags. The ostensible storyline, narrated by Stuart Lancaster in hilarious deadpan style, deals with the bedroom hijinx of small-town America -- in this case the fictitious community of Rio Dio, Texas.