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Posted By : Kel bazar | Date : 20 Aug 2021 20:46:30 | Comments : 19 |

David Bowie - Scary Monsters (and Super Creeps) (1980)
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 0.99 Gb, 311 Mb | 5% RAR Recovery
Styles: Rock| RapidShare Download
US RCA 1st Pressing A1/B1

David Bowie returned to relatively conventional rock & roll with Scary Monsters, an album that effectively acts as an encapsulation of all his '70s experiments. Reworking glam rock themes with avant-garde synth flourishes, and reversing the process as well, Bowie creates dense but accessible music throughout Scary Monsters. Though it doesn't have the vision of his other classic records, it wasn't designed to break new ground -- it was created as the culmination of Bowie's experimental genre-shifting of the '70s. As a result, Scary Monsters is Bowie's last great album. While the music isn't far removed from the post-punk of the early '80s, it does sound fresh, hip, and contemporary, which is something Bowie lost over the course of the '80s. --Allmusic.

Great pressing for is last great album!!!
Posted By : Kel bazar | Date : 19 Aug 2021 22:21:08 | Comments : 17 |

Massive Attack - Heligoland (2010)
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 1.63 Gb, 463 Mb | 5% RAR Recovery | Styles: Trip Hop | RapidShare Download
Virgin Records UK

The sound of a group at the very height of their power, flexing their ample muscle, Heligoland is the album Massive Attack had to produce for fear of fading further from relevance. Now we can all learn to love them once again. Piers Martin--Uncut
Posted By : Kel bazar | Date : 15 Aug 2021 07:37:32 | Comments : 21 |

David Bowie - Young Americans (1975)
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 856 Mb, 248 Mb | 5% RAR Recovery | Styles: Blue-eyed soul | RapidShare Download
UK RCA 1st Pressing A1/B1

David Bowie had dropped hints during the Diamond Dogs tour that he was moving toward R&B, but the full-blown blue-eyed soul of Young Americans came as a shock. Surrounding himself with first-rate sessionmen, Bowie comes up with a set of songs that approximate the sound of Philly soul and disco, yet remain detached from their inspirations; even at his most passionate, Bowie sounds like a commentator, as if the entire album was a genre exercise. Nevertheless, the distance doesn't hurt the album — it gives the record its own distinctive flavor, and its plastic, robotic soul helped inform generations of synthetic British soul.

Another great pressing with killing sound!!!
Posted By : Kel bazar | Date : 14 Aug 2021 07:01:13 | Comments : 23 |

David Bowie - Heroes (1977)
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 969 Mb, 273 Mb | 5% RAR Recovery
Styles: Experimental rock, Electronic, Ambient| RapidShare Download
US RCA 1st Pressing A1/B1

Repeating the formula of Low's half-vocal/half-instrumental structure, Heroes develops and strengthens the sonic innovations David Bowie and Brian Eno explored on their first collaboration. The vocal songs are fuller, boasting harder rhythms and deeper layers of sound. Much of the harder-edged sound of Heroes is due to Robert Fripp's guitar, which provides a muscular foundation for the electronics, especially on the relatively conventional rock songs. Similarly, the instrumentals on Heroes are more detailed, this time showing a more explicit debt to German synth pop and European experimental rock. Essentially, the difference between Low and Heroes lies in the details, but the record is equally challenging and groundbreaking.
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Posted by :: Alex | Date :: Aug 20, 2021 19:05:00 | [ 34 comments ]


Posted By : Kel bazar | Date : 11 Aug 2021 20:47:35 | Comments : 22 |

David Bowie - Diamond Dogs (1974)
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 794 Mo, 232 Mo | 5% RAR Recovery
Styles: Glam Rock | RapidShare Download
UK RCA 1st Pressing A1/B1

David Bowie fired the Spiders From Mars shortly after the release of Pin Ups, but he didn't completely leave the Ziggy Stardust persona behind. Diamond Dogs suffers precisely because of this -- he doesn't know how to move forward. Originally conceived as a concept album based on George Orwell's 1984, Diamond Dogs evolved into another one of Bowie's paranoid future nightmares.

Great sounding 1st Press. for an underrated album!!!
Posted By : Kel bazar | Date : 10 Aug 2021 19:02:20 | Comments : 27 |

David Bowie - Low (1977)
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 757 Mb, 233 Mb | 5% RAR Recovery
Styles: Experimental rock, Electronic, Ambient| RapidShare Download
UK RCA 1st Pressing A1/B1

Following through with the avant-garde inclinations of Station to Station, yet explicitly breaking with David Bowie's past, Low is a dense, challenging album that confirmed his place at rock's cutting edge. Driven by dissonant synthesizers and electronics, Low is divided between brief, angular songs and atmospheric instrumentals.

One of Bowie's best effort. Enjoy!!!
Posted By : Kel bazar | Date : 09 Aug 2021 22:00:50 | Comments : 25 |

David Bowie - Station to Station (1976)
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 757 Mb, 233 Mb | 5% RAR Recovery
Styles: Rock, funk, blue-eyed soul | RapidShare Download
UK RCA Original

Taking the detached plastic soul of Young Americans to an elegant, robotic extreme, Station to Station is a transitional album that creates its own distinctive style. Abandoning any pretense of being a soulman, yet keeping rhythmic elements of soul, David Bowie positions himself as a cold, clinical crooner and explores a variety of styles. Everything from epic ballads and disco to synthesized avant pop is present on Station to Station, but what ties it together is Bowie's cocaine-induced paranoia and detached musical persona. At its heart, Station to Station is an avant-garde art-rock album.
Posted By : Kel bazar | Date : 08 Aug 2021 09:38:01 | Comments : 12 |

David Bowie - Aladdin Sane (1973)
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 913 Mo, 276 Mo | 5% RAR Recovery
Styles: Glam Rock | RapidShare Download
US RCA Dynaflex Promo (1973)

Ziggy Stardust wrote the blueprint for David Bowie's hard-rocking glam, and Aladdin Sane essentially follows the pattern, for both better and worse. A lighter affair than Ziggy Stardust, Aladdin Sane is actually a stranger album than its predecessor, buoyed by bizarre lounge-jazz flourishes from pianist Mick Garson and a handful of winding, vaguely experimental songs.

Last of this great RCA Dynaflex Promo Trilogy. Enjoy!!!
Posted By : Kel bazar | Date : 07 Aug 2021 14:16:47 | Comments : 18 |

David Bowie - The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 818 Mo, 253 Mo | 5% RAR Recovery
Styles: Glam Rock | RapidShare Download
US RCA Dynaflex Promo (1972)

Borrowing heavily from Marc Bolan's glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise & Fall of Ziggy Stardust and the Spiders from Mars. Ziggy Stardust is a glitzy array of riffs, hooks, melodrama, and style and the logical culmination of glam.--Allmusic.

Another Fantastic Sounding RCA Promo Copy!!!
Posted By : Kel bazar | Date : 05 Aug 2021 16:06:56 | Comments : 26 |

David Bowie - The Man Who Sold the World (1970)
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 894 Mo, 261 Mo | 5% RAR Recovery
Styles: Glam Rock | RapidShare Download
US RCA Dynaflex Promo (1972)

Even though it contained no hits, The Man Who Sold the World, for most intents and purposes, is the beginning of David Bowie's classic period. Working with guitarist Mick Ronson and producer Tony Visconti for the first time, Bowie developed a tight, twisted heavy guitar rock that appears simple on the surface but sounds more gnarled upon each listen. The mix is off-center, with the fuzz-bass dominating the compressed, razor-thin guitars and Bowie's strangled, affected voice. The sound of The Man Who Sold the World is odd, but the music is bizarre itself, with Bowie's bizarre, paranoid futuristic tales melded to Ronson's riffing and the band's relentless attack. Musically, there isn't much innovation on The Man Who Sold the World — it is almost all hard blues-rock or psychedelic folk-rock — but there's an unsettling edge to the band's performance, which makes the record one of Bowie's best albums.

Fantastic Sounding RCA Promo Copy!!!
Posted By : Kel bazar | Date : 04 Aug 2021 07:35:18 | Comments : 14 |

The Velvet Underground - VU (1985)
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 790 Mo, 223 Mo | 5% RAR Recovery
Styles: Art Rock | RapidShare Download
German Verve/Polygram Records

Composed principally of songs that would have appeared on the Velvet Underground's unreleased fourth MGM album, this is only slightly less impressive than their first three LPs, striking a balance between the searing pre-punk of their first two efforts and the calm eloquence of the third. "Lisa Says," "Ocean," and "Stephanie Says" are some of Lou Reed's greatest ballads; "I Can't Stand It" is one of the Velvets' toughest and best conventional hard rock songs. Some of the other tunes are slight (if engaging) in comparison with the Velvets' prime work. Many of the tracks were re-recorded by Reed on his early solo albums, and in every instance, the Velvets' versions are better. --Allmusic 5/5.

Enjoy!!!
Posted By : Kel bazar | Date : 31 Jul 2022 16:31:19 | Comments : 15 |

The Velvet Underground (1969)
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 947 Mo, 257 Mo | 5% RAR Recovery
Styles: Art Rock | RapidShare Download
US MGM Records

Upon first release, the Velvet Underground's self-titled third album must have surprised their fans nearly as much as their first two albums shocked the few mainstream music fans who heard them. After testing the limits of how musically and thematically challenging rock could be on Velvet Underground & Nico and White Light/White Heat, this 1969 release sounded spare, quiet, and contemplative, as if the previous albums documented some manic, speed-fueled party and this was the subdued morning after.--Allmusic.
Posted By : Kel bazar | Date : 30 Jul 2022 12:41:06 | Comments : 16 |

The Velvet Underground - White Light/White (1968)
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 835 Mo, 230 Mo | 5% RAR Recovery
Styles: Art Rock | RapidShare Download
US Verve/Polygram Records

Recorded without the input of either Nico or Andy Warhol, White Light/White Heat was the purest and rawest document of the key Velvets lineup of Lou Reed, John Cale, Sterling Morrison, and Maureen Tucker, capturing the group at their toughest and most abrasive.--Allmusic.
Posted By : Kel bazar | Date : 28 Jul 2022 18:39:04 | Comments : 7 |

Siouxsie and the Banshees - Kaleidoscope (1980)
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 887 Mo, 264 Mo | 5% RAR Recovery
Styles: Post-Punk | RapidShare Download
Polydor Records

Allmusic's David Cleary described it as a "strong record" with "extraordinarily imaginative production values featuring intricate synthesizer-flecked arrangements; psychedelic touches in "Christine," spaceship synthesizer swoops in "Tenant," and rhythmic camera clicks in "Red Light" all enliven their respective songs".[1] Melody Maker's Paulo Hewitt also praised the album and qualified "Paradise Place" and "Skin" as "classic Banshee pieces. Hypnotic, relentless and incisive, both feature Steve Jones on guitar, revealing a hitherto unknown side of the (S)ex-Pistol"

Perfect pressing and mastering.
Enjoy!!!
Posted By : Kel bazar | Date : 26 Jul 2022 08:55:47 | Comments : 12 |

Traffic - The Low Spark of High Heeled Boys (1971)
Vinyl rip in 24-bit/96kHz | FLAC (Tracks), artworks | Stereo | 830Mo, 234 Mo | 5% RAR Recovery
Styles: Progressive rock | RapidShare Download
Island Recors ILPS 9180

The Low Spark of High Heeled Boys marked the commercial and artistic apex of the second coming of Traffic, which had commenced in 1970 with John Barleycorn Must Die.