Resurrecting The Champ (TS - 2007)

Up-and-coming sports reporter (Hartnett) rescues a homeless man ("Champ", Jackson) only to discover that he is, in fact, a boxing legend believed to have passed away. What begins as an opportunity to resurrect Champ's story and escape the shadow of his father's success becomes a personal journey as the ambitious reporter reexamines his own life and his relationship with his family.


Director and co-screenwriter (along with Chris Gerolmo, Allison Burnett, and Michael Bortman) Rod Lurie tells the uplifting tale of a sports writer who almost lost it all before stumbling into the story of a lifetime in this uplifting sports-themed drama starring Josh Hartnett and Samuel L. Jackson. Erik (Hartnett) is a Denver-based sports writer whose prose is dull and whose marriage is failing. Not only is Erik having a difficult time dealing with his stubborn editor Metz (Alan Alda) - who refuses to take the suffering scribe off of the boxing beat - but the pain of being separated from his young son has weighed heavier on Erik's conscience than he could have ever imagined. When Erik sees a local homeless man (Samuel L. Jackson) being violently assaulted by a gang of sadistic street toughs, he instinctively comes to the suffering man's rescue. As fate would have, Erik discovers that the nondescript homeless man is actually the former boxing champion Battling Bob Satterfield, whom many sports fans had assumed dead. Now driven to tell the story that may establish him as a successful sports writer, Erik gradually begins to make the transformation from ordinary man to extraordinary champion - largely by turning inward and by reexamining his relationship with his own son. ~ Jason Buchanan, All Movie Guide.


TELESYNC (TS) is a video copy of the movie which was shot in a cinema, often with a professional camera on a tripod in the projection booth, with a direct connection to the sound source (often FM audio provided for the hearing-impaired, or from a drive-in theatre). A telesync is a special type of cam that has the potential of better-quality audio and video. If the telesync is shot from within the projection booth there will be no keystone distortion (there will be keystone correction) of the video. An ordinary cam is usually shot with a handheld camera from a seat in the auditorium and uses the camera's own built-in microphone to pick up the sound.