His unique sound has profoundly influenced artists such as Eric Clapton and Dire Straits, and his songs have been covered by everyone from Lynyrd Skynyrd, Deep Purple, Johnny Cash, The Band, and Santana to Captain Beefheart, Bryan Ferry, The Allman Brothers Band and Widespread Panic. Untarnished by all the success, his self-effacing persona has endeared him to audiences throughout the world. And today, in an era dominated by pre-fab pop divas and assembly-line teenybopper acts, J.J. Cale’s authenticity and genuine talent are needed more than ever before.

Thankfully, after spending five years shunning the spotlight, Cale now returns to action to reveal a whole new side of his homegrown genius. J J Cale, Live, Cale’s first-ever live album, provides an exclusive look at his onstage prowess and documents his extraordinary bond with his fans. More than just a recitation of smash hits, its 14 songs include intimate explorations and dramatic reinterpretations of rock ‘n’ roll classics, all performed by the man who wrote them.

It begins, fittingly enough, with a haunting rendition of "After Midnight," the song that launched Cale’s career. Millions of fans worldwide are familiar with Eric Clapton’s rendition that rocketed up the charts in 1970. Not only did "After Midnight" mark Cale’s first hit as a songwriter, it was Clapton’s first worldwide smash as a solo artist.

On Live, Cale captures a whole different mood from Clapton’s hard-driving performance. Recorded at New York’s legendary Carnegie Hall, Cale’s solo version - just vocals and guitar - conjures an eerie, compelling vibe. "‘After Midnight’ is pretty stark," nods Cale, "which is how I’ve been performing it a lot during the last ten years. I have some versions that are full tilt boogie rock ‘n’ roll, but for this album I wanted to show that other side. As you play some songs over the years, you start changing ‘em around to keep them fresh. You can hear the changes on this album, especially the first four songs that were recorded at Carnegie Hall. There’s nothing quite like that place. It’s like the American dream for a musician."

Following "After Midnight" Cale brings bassist Bill Raffensperger, his longtime Tulsa buddy, onstage for a simple, elegant version of "Old Man." The CD then shifts into high gear on its third track, when Cale is joined by his entire band for a locomotive rendition of "Call Me The Breeze," a tongue-in-cheek classic recorded by numerous stars including Lynyrd Skynyrd.

In creating the album, Cale handpicked each song and sought to capture the feel and pacing of a live concert. "The album’s structure pretty much reflects how we played the shows," Cale explains. "I would start off by myself, then bring on one of the band members, and over the course of a few songs we would gradually have the whole band."

Among its many highlights, Live combines well-covered songs such as "Magnolia" and "Cocaine" (another mega-hit for Eric Clapton in 1977) along with lesser known nuggets like "Thirteen Days," "Humdinger" and the minor-key marvel "Money Talks" which features vocals from guitarist Christine Lakeland, who co-wrote the song with Cale.

Spanning an astonishing range of moods, the album varies from the dark luster of "Sensitive Kind" (previously covered by Santana and John Mayall, on this version Cale’s guitar work perfectly defines the song’s beautiful twilight atmospherics) to the gritty, straight-outta-the-honky-tonk energy of "People Lie," replete with hollering audience members.

Each track benefits from a highly personal treatment by Cale as he chronicles the songs that have defined his acclaimed career to date. In bringing those songs to life, Cale surrounds himself with musicians who know the music well - including some old friends from the same Tulsa scene that Cale helped popularize along with Leon Russell. "Yeah, Bill Raffensperger [bass], Rocky Frisco [keyboards] and Jim Karstein [drums, percussion] have been playing with me for about forty years," Cale notes. "Christine Lakeland [guitar, vocals] and James Cruce [drums, percussion] are the new kids - they both began playing with me in the’80s."

Mirroring the long loyal friendship with his bandmates, Cale has stayed true to his musical roots. Those origins can be traced to Tulsa, where Cale began playing in clubs at age 17 and was soon leading his own band, Johnny Cale and the Valentines. In 1964 he moved to Los Angeles and began working as a studio engineer and playing live with a variety of musicians, including fellow Tulsa émigré Leon Russell and Delaney & Bonnie’s soon-to-be-famous entourage.

After Clapton recorded a cover of "After Midnight," Cale released his debut album Naturally in 1971, marking the beginning of a successful solo career. Through 12 studio albums (his most recent, Guitar Man, was released in 1996), Cale has concentrated on simply making great music, undistracted by the commercialism that permeates the record industry. "I’ve written some very commercial tunes, but I’ve just tried to focus on the music rather than the business," he explains. "I didn’t want music to turn into a day gig. If you can’t have fun making music, you might as well be selling shoes."

Cale continues to live life on his own terms. In the five years that have passed since the release of his last studio album, Cale has turned down virtually every offer to perform live or release new recordings. One exception is the song "Stone River," which Cale wrote and contributed to the Earthjustice Legal Defense Fund’s Fish Tree Water Blues album, a compilation project aiding in the struggle to save endangered fish and forests in the Pacific northwest.

Even more intriguing, Cale recently joined Eric Clapton in the recording studio to perform on the much-anticipated upcoming album by The Crickets, Buddy Holly’s band. It was the first time that Clapton had recorded with the man he has admired for so many years. When recently asked by Mojo magazine "which musician (other than yourself) have you ever wanted to be?" Clapton named J.J. Cale. "I like his philosophy, writing skills and musicianship," Clapton explained. "He’s a fine, superior musician, one of the masters of the last three decades of music."

Now, J J Cale, Live offers fans new evidence of his mastery. By documenting Cale’s onstage magnetism, it illustrates yet another facet of his wide-ranging talent and attests to the enduring, timeless quality of his music.

Credits
Buddy Emmons (Guitar (Steel)), Josh Graves (Dobro), Hoyt Axton (Vocals (Background)), Bob Holmes (Horn Arrangements), Dianne Davidson (Vocals (Background)), J.J. Cale (Organ), J.J. Cale (Synthesizer), J.J. Cale (Guitar (Acoustic)), J.J. Cale (Bass), J.J. Cale (Guitar), J.J. Cale (Piano), J.J. Cale (Arranger), J.J. Cale (Drums), J.J. Cale (Guitar (Electric)), J.J. Cale (Guitar (Rhythm)), J.J. Cale (Vocals), J.J. Cale (Producer), J.J. Cale (Engineer), J.J. Cale (Slide Guitar), J.J. Cale (Gut String Guitar), J.J. Cale (Main Performer), J.J. Cale (Associate Producer), J.J. Cale (Mixing), Paul Davis (Guitar (Rhythm)), Leon Russell (Piano (Electric)), Richard Thompson (Guitar (Electric)), James Burton (Guitar (Electric)), Mac Gayden (Guitar (Rhythm)), Mac Gayden (Slide Guitar), Steve Gibson (Guitar (Electric)), Lloyd Green (Guitar (Steel)), Jim Keltner (Organ), Jim Keltner (Percussion), Jim Keltner (Drums), Grady Martin (Guitar (Electric)), Bill Pursell (Piano), Jerry Smith (Piano), Kossie Gardner (Organ), Sid Page (Violin), Larry Taylor (Bass (Acoustic)), J.I. Allison (Percussion), Audie Ashworth (Producer), Audie Ashworth (Engineer), Audie Ashworth (Associate Producer), Audie Ashworth (Mixing), Doug Atwell (Violin), Hal Blaine (Drums), Barry Beckett (Piano), Barry Beckett (Piano (Electric)), Larry Bell (Piano (Electric)), Hayword Bishop (Drums), Bill Boatman (Fiddle), Bill Boatman (Drums), Bill Boatman (Guitar (Rhythm)), George Bohannon (Trombone), Harold Bradley (Guitar (Electric)), Harold Bradley (Guitar (Rhythm)), Chuck Browning (Drums), Chuck Browning (Guitar (Electric)), Kenneth A. Buttrey (Drums), Al Capps (Horn Arrangements), Al Capps (String Arrangements), Jimmy Capps (Guitar (Rhythm)), Chip Young (Engineer), Roy Christensen (Violin), Johnny Christopher (Guitar (Rhythm)), Vassar Clements (Fiddle), Tommy Cogbill (Bass), Tommy Cogbill (Guitar (Electric)), Ed Colis (Harmonica), Billy Cox (Bass), James Cruce (Drums), Glen D. Hardin (Piano), Marilyn Davis (Vocals (Background)), Tim Drummond (Bass), Charles Dungey (Bass), Ray Edenton (Guitar (Rhythm)), Gene Eichelberger (Engineer), Gene Eichelberger (Mixing), Bobby Emmons (Organ), Bobby Emmons (Piano), Colin Escott (Liner Notes), Gary Gilmore (Bass), Dennis Good (Trombone), Emory Gordy (Bass), Robert Greenidge (Drums (Steel)), Chad Hailey (Engineer), Buddy Harmon (Drums), Roger Hawkins (Drums), Walter Haynes (Dobro), Karl Himmel (Percussion), Karl Himmel (Drums), David Hood (Bass), Garth Hudson (Accordion), Bill Humble (Trombone), Stan Hutto (Engineer), Stan Hutto (Mixing), Jimmy Johnson (Guitar (Rhythm)), Jim Karstein (Percussion), Jim Karstein (Conga), Jim Karstein (Drums), Carol Kaye (Bass), Russ Kunkel (Drums), Sheldon Kurland (Violin), Les Ladd (Engineer), Les Ladd (Mixing), Christine Lakeland (Organ), Christine Lakeland (Guitar (Rhythm)), Christine Lakeland (Vocals (Background)), Christine Lakeland (Engineer), Shorty Lavender (Fiddle), Mike Lawler (Synthesizer), Mike Leech (Bass), Bill Levenson (Compilation Producer), Ronnie Light (Engineer), Ronnie Light (Mixing), Steve Madaio (Trumpet), Kenny Malone (Drums), Jerry Masters (Engineer), Jerry Masters (Mixing), Terry McMillan (Harmonica), J.R. McNeely (Mixing), Joe Mills (Engineer), Joe Mills (Mixing), Farrell Morris (Percussion), Farrell Morris (Conga), Farrell Morris (Drums), Farrell Morris (Vibraphone), Cam Mullins (String Arrangements), Weldon Myrick (Guitar (Steel)), Bret Newman (Engineer), Norman Ray (Saxophone), Spooner Oldham (Organ), Joe Osborne (Bass), Charles Paakkari (Engineer), Bill Payne (Piano), Gordon Payne (Guitar (Electric)), Terry Perkins (Drums), Bob Phillips (Trumpet), Sherry Porter (Vocals (Background)), Don Preston (Guitar (Electric)), Billy Puett (Saxophone), Denny Purcell (Mastering), Norbert Putnam (Bass), Carl Radle (Bass), Bill Raffenspeger (Bass), Nick Rather (Bass), Bob Ray (Bass), Ron Reynolds (Engineer), Ron Reynolds (Mixing), Michael Rhodes (Bass), Steve Ripley (Guitar (Rhythm)), Steve Ripley (Engineer), Hargus "Pig" Robbins (Piano), Hargus "Pig" Robbins (Piano (Electric)), Duane Seykora (Engineer), Don Sheffield (Trumpet), Dennis Solee (Saxophone), George Soulé (Drums), Buddy Spiker (Fiddle), Nancy Stein (Cello), Jimmy Tarbutton (Engineer), Jimmy Tarbutton (Mixing), Tommy Tedesco (Guitar (Rhythm)), George Tidwell (Trumpet), George Tidwell (Horn Arrangements), Jerry Whitehurst (Piano), Terry Williams (Trombone), Jim Williamson (Engineer), Jim Williamson (Mixing), Bob Wilson (Piano), Bobby Woods (Piano), Reggie Young (Guitar (Electric)), Reggie Young (Guitar (Rhythm)), Joe Zinkan (Bass (Acoustic)), John Galley (Piano), David Johnson (Engineer), David Johnson (Mixing), Bill Kenner (Mandolin), Charlie McCoy (Harmonica), Bob Moore (Bass), Gary Paxton (Vocals (Background)), Terri Tierney (Project Coordinator), Gary N. Mayo (Mastering), James Minchin (Photography), Gordon Shryock (Guitar (Electric)), Catherine Ladis (Project Assistant), Tony Migliore (Piano), Bas Hartong (Compilation Producer), Beegie Cruzer (Piano (Electric)), Marcy Dicterow-Vaj (Viola), Donna Fetchko (Project Assistant), Matthieu Lauriot-Prevost (Executive Producer), Jackie Stansfield (Project Coordinator), Leslie Taylor (Vocals (Background)), Rick Horton (Engineer), Rick Horton (Mixing), Eileen Cleary (Project Assistant), James Nichols (Conga), David Briggs (Organ), David Briggs (Piano), David Briggs (Piano (Electric)), Ace Tone Rhythm Machine (Drums), Hugh Davies (Engineer), Hugh Davies (Mixing), Paul McManus (Engineer), Paul Brown (Engineer), Paul Brown (Mixing)

cd-1
01. Call Me the Breeze
02. Crazy Mama
03. Magnolia
04. After Midnight
05. Lies
06. Changes
07. If You're Ever in Oklahoma
08. Midnight in Memphis - (previously unreleased)
09. Cajun Moon
10. Rock and Roll Records
11. Anyway the Wind Blows
12. Crying
13. Everlovin' Woman
14. I Got the Same Old Blues
15. Woke up This Morning - (previously unreleased)
16. Cocaine
17. Woman That Got Away, The
18. Ride Me High
19. Hey Baby
20. Durango - (previously unreleased)
21. I'll Make Love to You Anytime
22. Don't Cry Sister
23. Thirteen Days
24. Things Ain't Simple - (previously unreleased)
25. Sensitive Kind



cd-2
01. Carry On
02. Runaround
03. Mama Don't
04. City Girls
05. Devil in Disguise
06. You Keep Me Hangin' On
07. Downtown L.A.
08. Thing Going On, A
09. Don't Wait
10. Wish I Had Me a Dollar - (previously unreleased, live)
11. Money Talks
12. Hard Times
13. People Lie
14. Unemployment
15. Trouble in the City
16. Santa Cruz - (previously unreleased)
17. Shanghaid
18. Change Your Mind
19. New Orleans
20. Humdinger
21. Lonesome Train
22. Jailer
23. Artificial Paradise
24. Long Way Home
25. Closer to You