bx_hybrid is a state-of-the art Mono & Stereo EQ. It contains several unique tools, such as an Internal M/S Processor (stereo version only, of course) for Stereo Width Control & a Mono Maker (a Brainworx invention that will mono out any stereo signal up to a certain user-adjustable threshold frequency with only one knob - while automatically compensating for the potential loss in the overall bass-spectrum).

bx_digital V2 is a state-of-the-art digital mastering processor that provides you with a mastering class 11-band equalizer, M/S De-Esser, Mono-Maker and intelligent Bass- and Presence-Shifters, plus extra M/S features, such as Pan for M&S, and Stereo Width Control. bx_digital V2 works in 3 modes(!) including a sophisticated “M/S Mastering” mode and emulates the three most outstanding modes of the analogue Modus EQ bx1, whereas the software offers literally all the features of the hardware including the M/S-Solo-Buttons, and a lot of functions that the hardware doesn´t even offer (Auto Listen, etc).

Straightforward and simple, Vintage Amp Room emulates three carefully selected guitar amps in a complete studio set-up with speaker cabinets and fully flexible microphone positioning. Vintage Amp Room has none of the added gadgets or weird-sounding presets sometimes found in simulation software. Focusing on quality and accuracy, it simulates amps with sounds that are timeless and authentically raw. The three amps range from pleasant guitar sounds with warm yet intense power amp distortion, through clean, crisp and clear, but also warm, thick and punchy, all the way to edgy, distorted rock 'n' roll sounds.

Tube Delay is a marriage between analog and digital, combining the warmth and natural compression from tubes with the features and versatility of a digital delay. The effect is perfect for fattening vocal tracks, adding slapback echo to drums, getting a gritty delay for guitars or using it just as a dirty tube preamp. With a vintage style passive EQ and several independent tube stages, Tube Delay sounds great even without the delay effect and is the perfect default plug-in each time you need to give a lifeless track some color.

Tube-Tech CL 1B is a true studio classic, heard on tons and tons of records for the past 20 years. Like its hardware counterpart, the Tube-Tech CL 1B native plug-in sounds soft, smooth, groovy and can compress an insane amount of dB’s without sounding bad. The CL 1B plug-ins by Softube are the only Tube-Tech plug-ins that are fully endorsed by Tube-Tech.

Metal Amp Room was designed to bring you the most brutal, evil and aggressive sound that is possible to squeeze out of your DAW. It was co-developed with Patrik Jensen (The Haunted) and tailored to his needs. The continuous mic placement from Vintage Amp Room is back, but this time with twin mics with adjustable stereo panning. Get a huge stereo sound with complex adjustable phasing effects, a plain old one-mic-right-against-the-cone, or anything in between. The cabinets were measured in the In Flames studio (previously known as Studio Fredman) by Tue Madsen and Patrik Jensen. "I have to say I was very surprised when I heard the results. It really does sound like the way I record guitars and it makes me want to do a lot more setups for them."

When creating FET Compressor, Softube set out to make the most accurate emulation of the most famous solid state compressor. Instead of modeling individual features and putting them together digitally we have modeled the unit in its entirety: input and output stages, gain reduction feedback loops, bias differences of different transistors, etc. It’s been by far the hardest project we have taken on, but we feel that the result speaks for itself. And hopefully it will be easier to do it the next time (yeah right).

Bass Amp Room was designed to handle all your bass amp needs, from dirty rock to modern clean, keeping two equally important goals in mind. The first was to give the user the best possible sound quality. The latter was to create an intuitive plug-in which allows for a really fast work flow. Time is money, but cutting down on time shouldn't mean you have to accept poor results. Bass Amp Room consists of a model of a classic bass amplifier, three distinctive speaker cabinets with click-and-drag mics, and a blendable DI section with tone controls and a limiter. That's it. And it's all you need to create a unique signature sound - the strength lies in the ease of use of the individual blocks and the huge range of sounds these can produce when combined.

Acoustic Feedback is a realistic simulation of guitar feedback. After years of hard work spent on perfecting every detail of Vintage Amp Room, the developers at Softube felt obliged to create what they felt was the missing link between a real amp and an amp plug-in. The result is a simple and intuitive plug-in which emulates the feedback effect which occurs between the guitar and the amplifier. Bundled with a special edition of White amp* from Vintage Amp Room, Acoustic Feedback aims to "rock your socks off".

Spring Reverb is an authentic spring reverb recreation that will add vintage character and grit to any audio track. It also includes novel features such as a fully automatable Shake control that will shake the virtual strings around for those thunderous spring effects, and a Tension control that tightens or loosens the springs to cover a wide range of spring reverb sounds.

The Lawo Plug-in Collection. Get the mc² sound for your workstation!. Sounds good: Enjoy that quality audio from the mc² series on your workstation. Whether it’s Formula 1, the soccer world championship or the Eurovision Song Contest: when excellence is the goal, the mc² series is the clear answer. No wonder, as the three mc² series mixing consoles have set new milestones around the world – again and again. With outstanding sound processing. With the greatest ease of operation, and with many innovative features.

The mpressor is a new tool for modern dynamics processing. On top of the tried and tested standard features, this creative compressor provides several special functions that produce fat and freaky sounds by employing a punchy control behavior, colorations full of character and extreme settings. Besides classic tracking applications, its favorite domains are groovy effect compression and creative sound design.

Redline Reverb is a fully algorithmic and true stereo reverb with possibilities far beyond the conventional - check out the 112 factory presets for a comprehensive showcase of what it can do. Unlike conventional algorithmic reverbs, Redline Reverb does not need separate plate, hall, and room algorithms. Instead it features a comprehensive yet intuitive parameter set that allows you to easily recreate any given reverb characteristic, leaving you free to create lush smooth vocal reverbs, convincing room simulations, almost infinite reverb tails, synth pad and delay effects, and everything in between.