Coldplay - Viva La Vida Prospekt's March Edition (Parlaphone 2647112-50999 264711 2 9) (EU 2008)

Coldplay - Viva La Vida Prospekt's March Edition
FLAC | EAC, LOG & CUE | Artwork | Size: 567 MB
Cat#: Parlaphone 2647112-50999 264711 2 9 | Country/Year: Europe 2008

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CD Info:

Coldplay - Viva La Vida Prospekt's March Edition

Label: Parlophone, Parlophone
Catalog#: 264 7112, 50999 264711 2 9
Format: CD, Album, EP
Country: Europe
Released: 24 Nov 2008
Genre: Rock
Style: Acoustic, Pop Rock, Indie Rock

Tracklist:

Viva La Vida Or Death And All His Friends

CD1-1 Life In Technicolor 2:29
Written-by [' Light Through The Veins ' Sample] - Jon Hopkins
CD1-2 Cemeteries Of London 3:21
CD1-3 Lost! 3:55
CD1-4 42 3:57
CD1-5 Lovers In Japan / Reign Of Love 6:51
CD1-6.1 Yes 4:04
CD1-6.2 Chinese Sleep Chant 3:01
CD1-7 Viva La Vida 4:04
CD1-8 Violet Hill 3:50
CD1-9 Strawberry Swing 4:08
CD1-10.1 Death And All His Friends 3:34
CD1-10.2 The Escapist 2:45
Written-by [' Light Through The Veins ' Sample] - Jon Hopkins

Prospekt's March EP

CD2-1 Life In Technicolor II 4:06
CD2-2 Postcards From Far Away 0:48
CD2-3 Glass Of Water 4:45
CD2-4 Rainy Day 3:26
CD2-5 Prospekt's March / Poppyfields 3:39
CD2-6 Lost+ 4:19
CD2-7 Lovers In Japan (Osaka Sun Mix) 3:58
CD2-8 Now My Feet Won't Touch The Ground 2:30


Notes:

Released in a regular cardboard gatefold sleeve (Deluxe Edition).
Title as it appears on spine; Front cover states only Viva La Vida. Booklet for the album states Viva La Vida or Death And All His Friends, EP is titled Prospekt's March EP.
Life in Technicolor and The Escapist both incorporate a large sample of Light Through The Veins written by Jon Hopkins (licensed courtesy of Just Music and published by Just Publishing).

Track 6 after Yes (4:04) includes the hidden track "Chinese Sleep Chant" (3:01). After the last track "Death And All His Friends" (3:34) includes the hidden track "The Escapist" (2:45).

Made in EU.
SDRM/BIEM

Sticker on the front that says: "Coldplay: Viva La Vida Prospekt's March Edition. The Original Album. Including Viva La Vida, Violet Hill, Lovers In Japan And Lost!. Plus 8 New EP Tracks Including Glass Of Water And Lost+ (With Jay -Z) 264 7112

Parlophone is a Capitol Music label. ?2008 The copyright in this sound recording is owned by EMI Records Ltd. ©2008 This label copy information is the subject of copyright protection. All rights reserved. ©2008 EMI Records Ltd. Made in EU.


Barcode: 5099926471129
Other (CD1 additional catalog#): 50999 264712 2 8
Other (CD2 additional catalog#): 50999 264713 2 7
Other (Label Code): LC0299
Matrix Number (CD1): 2100001502997 2121140
Matrix Number (CD2): 2100001503000 2647132


Discogs Url: http://www.discogs.com/Coldplay-Viva-La-Vida-Prospekts-March-Edition/release/1549933
Wikipedia Url: http://en.wikipedia.org/wiki/Viva_la_Vida_or_Death_and_All_His_Friends

Review by Stephen Thomas Erlewine

When Coldplay sampled Kraftwerk on their third album, X&Y, it was a signifier for the British band, telegraphing their classicist good taste while signaling how they prefer the eternally hip to the truly adventurous; it was stylish window dressing for soft arena rock. Hiring Brian Eno to produce the bulk of their fourth album, Viva la Vida, is another matter entirely. Eno pushes them, not necessarily to experiment but rather to focus and refine, to not leave their comfort zone but to find some tremulous discomfort within it. In his hands, this most staid of bands looks to shake things up, albeit politely, but such good manners are so inherent to Coldplay's DNA that they remain courteous even when they experiment. With his big-budget production, Eno has a knack for amplifying an artist's personality, as he allows bands to be just as risky as they want to be -- which is quite a lot in the case of U2 and James and even Paul Simon, but not quite so much with Coldplay. And yet this gentle encouragement -- he's almost a kindly uncle giving his nephews permission to rummage through his study -- pays great dividends for Coldplay, as it winds up changing the specifics without altering the core. They wind up with the same self-styled grandiosity; they've just found a more interesting way to get to the same point.

Gone are Chris Martin's piano recitals and gone are the washes of meticulously majestic guitar, replaced by orchestrations of sound, sometimes literally consisting of strings but usually a tapestry of synthesizers, percussion, organs, electronics, and guitars that avoid playing riffs. Gone too are simpering schoolboy ballads like "Fix You," and along with them the soaring melodies designed to fill arenas. In fact, there are no insistent hooks to be found anywhere on Viva la Vida, and there are no clear singles in this collection of insinuatingly ingratiating songs. This reliance on elliptical melodies isn't off-putting -- alienation is alien to Coldplay -- and this is where Eno's guidance pays off, as he helps sculpt Viva la Vida to work as a musical whole, where there are long stretches of instrumentals and where only "Strawberry Swing," with its light, gently infectious melody and insistent rhythmic pulse, breaks from the album's appealingly meditative murk. Whatever iciness there is to the sound of Viva la Vida is warmed by Martin's voice, but the music is by design an heir to the earnest British art rock of '80s Peter Gabriel and U2 -- arty enough to convey sober intelligence without seeming snobby, the kind of album that deserves to take its title from Frida Kahlo and album art from Eugene Delacroix. That Delacroix painting depicts the French Revolution, so it does fit that Martin tones down his relentless self-obsession -- the songs aren't heavy on lyrics and some are shockingly written in character -- which is a development as welcome as the expanded sonic palette. Martin's refined writing topics may be outpaced by the band's guided adventure, but they're both indicative that Coldplay are desperate to not just strive for the title of great band -- a title they seem to believe that they're to the manor born -- but to actually burrow into the explorative work of creating music. And so the greatest thing Coldplay may have learned from Eno is his work ethic, as they demonstrate a focused concentration throughout this tight album -- it's only 47 minutes yet covers more ground than X&Y and arguably A Rush of Blood to the Head -- that turns Viva la Vida into something quietly satisfying. allmusicguide


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