Bringing It All Back Home is Bob Dylan's fifth studio album, released in 1965 by Columbia Records.

The album is divided into an electric and an acoustic side. On side one of the original LP, Dylan is backed by an electric rock and roll band - a move that further alienated him from some of his former peers in the folk song community. Likewise, on the acoustic second side of the album, he distanced himself from the protest songs with which he had become closely identified (such "Blowin' in the Wind" and A Hard Rain's a-Gonna Fall"), as his lyrics continued their trend toward the abstract and personal.

Bringing It All Back Home is often cited as the birth of folk-rock, and one of the peak albums of Dylan's career.

The album reached #6 on Billboard's Pop Albums chart, the first of Dylan's LPs to break into the US top 10. It also topped the UK charts later that Spring. The lead-off track, "Subterranean Homesick Blues", became Dylan's first single to chart in the US, peaking at #39.

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With Another Side of Bob Dylan, Dylan had begun pushing past folk, and with Bringing It All Back Home, he exploded the boundaries, producing an album of boundless imagination and skill. And it's not just that he went electric, either, rocking hard on "Subterranean Homesick Blues," "Maggie's Farm," and "Outlaw Blues"; it's that he's exploding with imagination throughout the record. After all, the music on its second side -- the nominal folk songs -- derive from the same vantage point as the rockers, leaving traditional folk concerns behind and delving deep into the personal. And this isn't just introspection, either, since the surreal paranoia on "It's Alright, Ma (I'm Only Bleeding)" and the whimsical poetry of "Mr. Tambourine Man" are individual, yet not personal. And that's just the tip of the iceberg, really, as he writes uncommonly beautiful love songs ("She Belongs to Me," "Love Minus Zero/No Limit") that sit alongside uncommonly funny fantasias ("On the Road Again," "Bob Dylan's 115th Dream"). This is the point where Dylan eclipses any conventional sense of folk and rewrites the rules of rock, making it safe for personal expression and poetry, not only making words mean as much as the music, but making the music an extension of the words. A truly remarkable album. AMG

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Track listing

"Subterranean Homesick Blues" – 2:21
"She Belongs to Me" – 2:47
"Maggie's Farm" – 3:54
"Love Minus Zero/No Limit" – 2:51
"Outlaw Blues" – 3:05
"On the Road Again"– 2:35
"Bob Dylan's 115th Dream"– 6:30
"Mr. Tambourine Man" – 5:30
"Gates of Eden" – 5:40
"It's Alright, Ma (I'm Only Bleeding)" – 7:29
"It's All Over Now, Baby Blue" – 4:12

Personnel

Bob Dylan – guitar, harmonica, keyboards, Vocals
John P. Hammond – guitar
John Sebastian – bass
Kenny Rankin – guitar
Bobby Gregg – drums
John Boone – bass
Al Gorgoni – guitar
Paul Griffin – piano, keyboards
Bruce Langhorne – guitar
Bill Lee – bass
Joseph Macho Jr. – bass
Frank Owens – piano
Tom Wilson – producer
Daniel Kramer – photography

Enjoy!!!