Francisco de Asís Tárrega y Eixea, (21 November 1852 — 15 December 1909) was an influential Spanish composer and guitarist. He is often considered to be the an important figure in classical guitar. Tárrega was born on 21 November 1852, in Villarreal, Castellón, Spain. It is said that Francisco's father played flamenco and several other music styles in his guitar; when his father was away working as a watchman at the Convent of San Pascual the young, curious child would grab his father's guitar and attempt to make the beautiful sounds he heard. Francisco's nickname as a child was "Quiquet"

When Tárrega's mother needed to take care of her hard-working husband due to a severe disease, the young Francisco was given to a nearby neighbor, friend of Tárrega's mother. When "Quiquet" as a young child caused his "nanny" to anger about something Tárrega did, she threw the youngster into a canal close to their house as punishment for what he had done. The story is not clear as to why she would have done such a thing. The water in the canal was not clear, which gave Tárrega an infection in his eyes which permanently impaired his eyesight. Partially due to this accident, the family moved to Castellón and enrolled him in music classes. Both his first music teachers, Eugeni Ruiz and Manuel Gonzalez, were blind.

Yepes was born into a family of humble origin in Lorca, southern Spain. His father gave him his first guitar when he was four years old. He took his first lessons from Jesus Guevara, in Lorca. Later his family moved to Valencia when the Spanish Civil War started in 1936.

When he was 13, he was accepted to study at the Conservatorio de Valencia with the pianist and composer Vicente Asencio. Here he followed courses in harmony, composition, and performance.

On December 16th 1947 he made his Madrid début, performing Joaquin Rodrigo's Concierto de Aranjuez with Ataúlfo Argenta conducting the Spanish National Orchestra. The overwhelming success of this performance brought him renown from critics and public alike. Soon afterwards, he began to tour with Argenta, visiting Switzerland, Italy, Germany and France. During this time he was largely responsible for the growing popularity of the Concierto de Aranjuez.

In 1950, after performing in Paris, he spent a year studying interpretation under the violinist George Enesco, and the pianist Walter Gieseking. He also studied informally with Nadia Boulanger. This was followed by a long period in Italy where he profited from contact with artists of every kind.

In 1952 a song Yepes wrote when he was a young boy became the theme to the film Forbidden Games (Jeux interdits) by René Clément. However, the piece, Romance, has often speculatively been attributed to other authors, without conclusive evidence that can stand up to scientific scrutiny, and despite the fact that Yepes confessed to being its composer. If you have a good look at the credits of the movie "Jeux Interdits" however, you will see that Romance is credited as "Traditional: arranged - Narciso Yepes." Yepes also performed other pieces for the "Forbidden Games" soundtrack. His later credits as film composer include the soundtracks to La Fille aux Yeux d'Or (1961) and 'La viuda del capitán Estrada' (1991). He also starred as a musician in the 1967 film version of El amor brujo.

In 1958 he married Marysia Szumlakowska, then a young Polish Philosophy student. They had two sons, Juan de la Cruz (deceased), Ignacio Yepes, an orchestral conductor and flautist, and one daughter, dancer and choreographer Ana Yepes.

In 1964, Yepes performed the Concierto de Aranjuez with the Berlin Philharmonic Orchestra, premièring the ten-string guitar, which he invented in collaboration with the renowned guitar maker José Ramírez III.
Yepes' 10-string guitar tuning

The instrument made it possible to transcribe works originally written for baroque lute without deleterious transposition of the bass notes. However, the main reason for the invention of this instrument was the addition of string resonators tuned to C, A#, G#, F#, which resulted in the first guitar with truly chromatic string resonance - similar to that of the piano with its sustain/pedal mechanism.

After 1964, Yepes used the ten-string guitar exclusively, touring to all six inhabited continents, performing in recitals as well as with the world's leading orchestras, giving an average of 130 performances each year.

Aside from being a consummate musician, Yepes was also a significant scholar. His research into forgotten manuscripts of the sixteenth and seventeenth centuries resulted in the rediscovery of numerous works for guitar or lute. He was also the first person to record the complete lute works of Bach on period instruments (14-course baroque lute). In addition, through his patient and intensive study of his instrument, Narciso Yepes developed a revolutionary technique and previously unsuspected resources and possibilities.

He was granted many official honours including the Gold Medal for Distinction in Arts, conferred by King Juan Carlos I; membership in the Academy of “Alfonso X el Sabio” and an Honorary Doctorate from the University of Murcia. In 1986 he was awarded the National Music Prize of Spain, and he was elected unanimously to the Real Academia de Bellas Artes de San Fernando.

Since 1993 Narcisco Yepes limited his public appearances due to illness. He gave his last concert on March 1st 1996, in Santander (Spain).

He died in Murcia in 1997, after a long battle with lymphoma.

Tracklist

01. Lagrima - Andante
02. Estudio en forma de Minuetto
03. La Cartagenera
04. Danza mora
05. Columpio - Lento
06. Endecha - Andante
07. Oremus - Lento
08. La Mariposa - Allegro Vivace
09. Recuerdos de la Alhambra - Andante
10. Preludio in G major - Allegretto
11. Adelita - Lento
12. Sueno
13. Minuetto
14. Pavana - Allegretto
15. Estudio de velocidad - Allegro
16. Jota - Andante-Allegro-Tempo primo-Lento, expressivo-Cantabile