A non-official collection with more than 60 years of classical Avant-Garde Electronic music. It includes 62 CDs in total with a lot of rare and historical stuff.
CD 32 includes works by James Dashow, Jean-Claude Risset, Tristan Murail and Annette Vande Gorne.

A non-official collection with more than 60 years of classical Avant-Garde Electronic music. It includes 62 CDs in total with a lot of rare and historical stuff.
CD 31 includes works by Jonathan Harvey, Ricardo Mandolini, John Chowning, Jonty Harrison, Luigi Nono and Vânia Dantas Leite.

A non-official collection with more than 60 years of classical Avant-Garde Electronic music. It includes 62 CDs in total with a lot of rare and historical stuff.
CD 30 includes the work Zeitlauf by Philippe Manoury.

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The Third Reich 'n' Roll is a 1976 album by the U.S. avant-garde rock group The Residents. Their second (officially) released album, it is a parody and satire of pop music and commercials from the 1960s. The work consists of two side-long pastiches of various songs from the period. The liner notes state that approximately 30 songs have been utilised. Some are obvious, while others are almost unrecognizable.

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Quite a few will agree that Japan's experimental rock/jazz musicians enjoyed their affairs best in early 1990's. Such technological instruments as electronics and turntables are more of ways of free (in terms of ideas) improvisation than of acoustic effects, which I believe is their characteristics.

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"Wonderwall Music" is George Harrison's first solo album and the soundtrack to the film "Wonderwall". The songs are virtually all instrumental, except for some non-English vocals and a slowed-down spoken word track. The songs were recorded in December 1967 in England and January 1968 in Bombay, India. "Wonderwall Music" is notable for being the first official solo album by one of the Beatles. Some of the musician's credits are pseudonyms for George Harrison, Eric Clapton, and Ringo Starr. Harrison is listed merely as producer, arranger and writer for the album. Peter Tork of The Monkees also played banjo (specifically, one borrowed from Paul McCartney), but was not credited.

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"... This 1993 date featured British saxophone and improvisation deity Evan Parker with Copenhagen's Ghost-in-the-Machine trio and Martin Klapper on electronics.

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James Blood Ulmer removes his name from the cover of this reunion of his Odyssey trio, and for good reason. As the rather awkward group name indicates, this is more of a band album than a solo project, especially with Ulmer's longtime associate Charles Burnham's searing violin playing such a prominent role in the sound. Only the third appearance of this ensemble on album, and the threesome's sole release since 1998's Reunion concert disc, the collective's synergy remains amazingly sharp.

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