July 5, 1950 - Sicilian bandit Salvatore Giuliano's bullet-riddled corpse is found facedown in a courtyard in Castelvetrano, a handgun and a rifle by his side. Local and international press descend upon the scene, hoping to crack open the true story behind the death of this young man, who, at the age of twenty-seven, had already become Italy's most wanted criminal and celebrated hero. Filming in the exact locations and enlisting a cast of native Scilians once impacted by the real Giuliano, director Francesco Rosi harnessed the facts and myths surrounding the bandit's death to create a startling exposé of Sicily and the tangled relations between its citizens, the Mafia, and government officials. A groundbreaking work of political filmmaking, Salvatore Giuliano established Rosi's reputation and assured his place in cinema history. (-DVD cover)




Face down in a pair of khakis and a bloodstained white undershirt lays Salvatore Giuliano after having been gunned down by law enforcement in Sicily on a summer morning in 1950. This is the beginning that Rosi portrays as he informs the audience of what happened to Salvatore Giuliano, the infamous bandit and freedom fighter. The film uses flashbacks in order to repaint the truth of the matter regarding what led to Giuliano's death, and the story begins with Giuliano becoming an outlaw by killing a police man in 1943. (www.amazon.com)




He was later recruited as a Colonel to support the separatist party as he went on to fight for Sicily's freedom. In Sicily, Giuliano had the reputation of a man that took from the rich and gave to the poor, but on the mainland he was portrayed as an outlaw. (www.amazon.com)




When Sicily received its independence all political criminals were given amnesty, but Giuliano and his followers were denounced the right of amnesty. Instead of being captured Giuliano returned to the mountains with his men where they continued to live, but now as bandits. (www.amazon.com)




The account that Rosi depicts through his cinematic direction brings the audience back and forth between 1945 and 1950 after Giuliano's death and to a court hearing for Giuliano's group that was tied to a massacre where 11 were killed and 27 were injured. Throughout the court hearing new information surfaces that involves the Mafia, local police, and the Carabinieris, and the evidence suggests that there was something sinister about the death of Salvatore Giuliano. (www.amazon.com)




Under the direction of Rosi the audience experiences a new take on Italian neo-realism as Rosi actually brings the audience to the location of the true events as he tells his filmed version of what happened to Salvatore Giuliano. Rosi depicts the true events with equal proportion from different sides in the story. It never becomes an idolization of Giuliano as Rosi cleverly only uses close up shots of Giuliano when he is dead and the rest of the shots are from a distance where one can never make out his face. However, this adds an element of mystery around Giuliano, which is okay as his true story never can be told after his true memoirs seem to have been stolen. A side note is that Rosi was slightly harassed by the local people and police force, was blackmailed, and had to report what he filmed on a daily basis as he worked. Despite Rosi's struggles in Sicily he mustered his creative skill and filmed a film that has taken a unique spot in film history as it pushes the envelope for political cinema. (www.amazon.com)








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