A young doctor is tired of being sought by women. One night he meets a young girl who all but forces herself into his room where they talk of morals and love. But he loses her when he goes out to see some friends and then rushes madly around the city after her, only to find she has returned. (http://www.imdb.com/title/tt0054119/plotsummary)


This wry, cynical tale of attraction, desire, and disaffected youth marked the only time that these giants of the Polish School worked together, and the result is this re-discovered masterpiece of Polish Cinema.A handsome but insensitive young doctor spends his evenings playing jazz in a small club, and enjoying the attention of numerous female admirers. Tired of one-night-stands, he is still intrigued by a young girl and invites her to his room. They spend the night together, but do nothing but talk. He looks for her the following day, but she has disappeared—or so it seems. (www.amazon.com)


Krystyna Stypulkowska makes a perfect Pelagia - coquettish and flirtatious, but still innocent. The exquisite scene of 'tossing the matchbox' is more erotic than all but a handful of 'explicit' sex scenes from modern cinema. (http://www.imdb.com/title/tt0054119/)


"Innocent Sorcerers is one of the few politically neutral films I have made. And yet, the authorities of the (Wladyslaw) Gomulka era held quite a different opinion on the innocent subject of a young doctor who is fond of nylon socks and quality cigarettes, owns a taperecorder whereon he records his conversations with girlfriends, and has but a single passion: playing percussion in Krzysztof Komeda's jazz band. Communist ideologues and educators found the subject more troublesome than the Home Army or theWarsaw Uprising". - Andrzej Wajda (http://www.wajda.pl/en/filmy/film05.html)


Like Maciek, the dark glassed hero of Ashes and Diamonds, the doctor also possesses all the confidence building trappings of his chosen way of life: peroxided hair, easy manner, a motorbike, a little den of a room with its trophies and its photograph of Einstein. Yet he is actually as full of self doubt as Maciek, and equally disinclined to come to terms with himself. -Robert Vas
"Sight and Sound", London, Winter 1961/62 (http://www.wajda.pl/en/filmy/film05.html)


Celebrated Polish director Andrzej Wajda was already pushing toward more youthful themes in the last of his war trilogy, Ashes and Diamonds. In that picture about the immediate post-war environment, young Zbigniew Cybulski is a rather anachronistic late-50s hipster with an Elvis hairdo and giant JKF sunglasses. 1960s Innocent Sorcerers is a freewheeling "young men on the town" tale of a jazz group who work days and play the clubs at night. Cybulski this time is the best friend of the leading character, a cocky young sports doctor grown tired of easy access to female companions.
Warsaw is still a wreck, but Bazyli and his hipster elite couldn't have it better. The lucky employed youth with money to spend cram into the clubs, and a breezy jazz musician is a key target for every ambitious girl in sight. Bazyli's pals are a band of nosy lay-abouts that can be depended on to show up and make a racket in the courtyard below his window; they're not unlike Federico Fellini's wastrels in I Vitelloni. A young Roman Polanski plays one of them. (http://www.dvdtalk.com/dvdsavant/s1988sorc.html)



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