This reupload is possible thanks to Archinul, the previous uploader here.

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“It is not my rip...so many thanks to the real uploader.” ~ Archinul

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George Frideric Händel (1685 - 1759): Jephtha - Belsazar - Messiah - Brockes Passion - Acis & Galatea - Imeneo - Faramondo - Rinaldo - Coronation Anthems - Italian Cantatas - Deutsche Arien - Water Music - Fireworks Music - Concerti grossi Op. 3 & 6 (complete) - Organ Concertos (complete) - Chamber Music (complete)

This reupload is possible thanks to Archinul, the previous uploader here.

“

“It is not my rip...so many thanks to the real uploader.” ~ Archinul

”

George Frideric Händel (1685 - 1759): Jephtha - Belsazar - Messiah - Brockes Passion - Acis & Galatea - Imeneo - Faramondo - Rinaldo - Coronation Anthems - Italian Cantatas - Deutsche Arien - Water Music - Fireworks Music - Concerti grossi Op. 3 & 6 (complete) - Organ Concertos (complete) - Chamber Music (complete)

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Beniamino Gigli, (March 20, 1890 - November 30, 1957) was one of the greatest Italian operatic tenors of the first quarter of the 20th century. The most famous tenor of his generation, he was renowned internationally for the great beauty of his voice and the soundness of his vocal technique. His lyric tenor voice was remarkable for its power, mellowness, and smoothness of production. Gigli is considered to be one of the very finest tenors in the recorded history of music. ~ Wikipedia

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"I know that I shall sing only a certain number of times. So I think to myself, "Tonight I will hold back my voice. I will save it a little and that will mean I may be able to sing a few more times." But when I go before the audience, when I hear the music and begin to sing, I cannot hold back. I give the best there is in me - I give all." "I suffer so much in this life. That is what they [the audience] are feeling when I sing, that is why they cry. People who felt nothing in this life cannot sing." ~ Enrico Caruso

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In 1986 - the centenary of Liszt's death - Leslie Howard gave a series of ten Liszt recitals in London. By carefully selecting only Liszt own compsitions, Howard was able to represent Liszt's entire solo piano work.
Consequently Howard made the largest recording project ever - the complete music for solo piano of Liszt (1985-1999).
All Liszt's versions of his piano music were included, including more than 300 premiere performances and recordings, and pieces unheard since Liszt's lifetime, and also all arrangements of other composers' work. Four discs were given to Liszt's seventeen works for piano and orchestra, about half of which were premiere recordings made from unpublished manuscripts.
The series ran at first to 94 full-length CDs, and earned Howard a place in the Guinness Book Of Records. One bonus disc and two later Cds - New Liszt Discoveries raised the number to 97. Two new discs were recently recorded and will appear in 2010.

In 1986 - the centenary of Liszt's death - Leslie Howard gave a series of ten Liszt recitals in London. By carefully selecting only Liszt own compsitions, Howard was able to represent Liszt's entire solo piano work.
Consequently Howard made the largest recording project ever - the complete music for solo piano of Liszt (1985-1999).
All Liszt's versions of his piano music were included, including more than 300 premiere performances and recordings, and pieces unheard since Liszt's lifetime, and also all arrangements of other composers' work. Four discs were given to Liszt's seventeen works for piano and orchestra, about half of which were premiere recordings made from unpublished manuscripts.
The series ran at first to 94 full-length CDs, and earned Howard a place in the Guinness Book Of Records. One bonus disc and two later Cds - New Liszt Discoveries raised the number to 97. Two new discs were recently recorded and will appear in 2010.

In 1986 - the centenary of Liszt's death - Leslie Howard gave a series of ten Liszt recitals in London. By carefully selecting only Liszt own compsitions, Howard was able to represent Liszt's entire solo piano work.
Consequently Howard made the largest recording project ever - the complete music for solo piano of Liszt (1985-1999).
All Liszt's versions of his piano music were included, including more than 300 premiere performances and recordings, and pieces unheard since Liszt's lifetime, and also all arrangements of other composers' work. Four discs were given to Liszt's seventeen works for piano and orchestra, about half of which were premiere recordings made from unpublished manuscripts.
The series ran at first to 94 full-length CDs, and earned Howard a place in the Guinness Book Of Records. One bonus disc and two later Cds - New Liszt Discoveries raised the number to 97. Two new discs were recently recorded and will appear in 2010.

In 1986 - the centenary of Liszt's death - Leslie Howard gave a series of ten Liszt recitals in London. By carefully selecting only Liszt own compsitions, Howard was able to represent Liszt's entire solo piano work.
Consequently Howard made the largest recording project ever - the complete music for solo piano of Liszt (1985-1999).
All Liszt's versions of his piano music were included, including more than 300 premiere performances and recordings, and pieces unheard since Liszt's lifetime, and also all arrangements of other composers' work. Four discs were given to Liszt's seventeen works for piano and orchestra, about half of which were premiere recordings made from unpublished manuscripts.
The series ran at first to 94 full-length CDs, and earned Howard a place in the Guinness Book Of Records. One bonus disc and two later Cds - New Liszt Discoveries raised the number to 97. Two new discs were recently recorded and will appear in 2010.

In 1986 - the centenary of Liszt's death - Leslie Howard gave a series of ten Liszt recitals in London. By carefully selecting only Liszt own compsitions, Howard was able to represent Liszt's entire solo piano work.
Consequently Howard made the largest recording project ever - the complete music for solo piano of Liszt (1985-1999).
All Liszt's versions of his piano music were included, including more than 300 premiere performances and recordings, and pieces unheard since Liszt's lifetime, and also all arrangements of other composers' work. Four discs were given to Liszt's seventeen works for piano and orchestra, about half of which were premiere recordings made from unpublished manuscripts.
The series ran at first to 94 full-length CDs, and earned Howard a place in the Guinness Book Of Records. One bonus disc and two later Cds - New Liszt Discoveries raised the number to 97. Two new discs were recently recorded and will appear in 2010.

“God tells me how the music should sound, but you stand in the way.” ~ Arturo Toscanini

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I must tell you I take terrible risks. Because my playing is very clear, when I make a mistake you hear it. If you want me to play only the notes without any specific dynamics, I will never make one mistake. Never be afraid to dare. ~ Vladimir Horowitz

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In 1986 - the centenary of Liszt's death - Leslie Howard gave a series of ten Liszt recitals in London. By carefully selecting only Liszt own compsitions, Howard was able to represent Liszt's entire solo piano work.
Consequently Howard made the largest recording project ever - the complete music for solo piano of Liszt (1985-1989).
All Liszt's versions of his piano music were included, including more than 300 premiere performances and recordings, and pieces unheard since Liszt's lifetime, and also all arrangements of other composers' work. Four discs were given to Liszt's seventeen works for piano and orchestra, about half of which were premiere recordings made from unpublished manuscripts.
The series ran at first to 94 full-length CDs, and earned Howard a place in the Guinness Book Of Records. One bonus disc and two later Cds - New Liszt Discoveries raised the number to 97. Two new discs were recently recorded and will appear in 2010.

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Among his many achievements, Leonard Bernstein is remembered as one of Gustav Mahler's most inspired advocates. While few today can imagine a classical music landscape without Mahler, it is doubtful that Mahler would have attained such a prominent place in performance repertoire without Bernstein's promotion. Bernstein wrote and lectured extensively on Mahler and his compositions, effectively putting Mahler on the cultural map while bringing his own distinctive - many would say defining - interpretations of Mahler's music to the forefront. ~ Alexandra Day

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The violin, through the serene clarity of its song, helps to keep our bearings in the storm, as a light in the night, a compass in the tempest, it shows us a way to a haven of sincerity and respect. ~ Yehudi Menuhin

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Pau Carles Salvador Casals i Defilló (December 29, 1876 – October 22, 1973), was a catalan cellist and composer. He studied at Barcelona from 1887 and made his début there in 1891. After further study in Madrid and Brussels his international career began in 1899, when he played Lalo's Concerto under Lamoureux in Paris. In 1905 he formed a trio with Thibaud and Cortot, recording works by Schubert and Beethoven. As a soloist Casals was renowned for his beautiful tone and intellectual strength. His playing did much to bring Bach's suites into the repertory. He formed the Orquestra Pau Casals in Barcelona in 1919 but his activities were curtailed by the Spanish Civil War. In 1950 at Prades he returned to music-making and later directed festivals at Perpignan and Puerto Rico. His many pupils included Guilhermina Suggia, with whom he formed a liaison. Casals wrote instrumental works and many choral pieces of a simple, devotional nature. ~ Music Encyclopedia

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